
Originally Posted by
Marc Wielage
What if they're willing to pay you $50,000 to air your film? Would you say, "naaaa, I can't re-output the film just to fix a 4-line shift." Me, I'd go for the money -- especially if they're right.
One big thing with the post business is: you have to learn early on to always dot the "i's" and cross the "t's" for every project. You figure even if it's something no ordinary person will notice, a nutty QC person will see it. I've run into QC people who run movies at 1/4 normal speed just to see stuff that's impossible to catch at normal speed. A flaw is a flaw, and the project has to be as perfect as humanly possible, especially for something easy like letterbox border sizes.