not shot on RED, but very cool - and very discouraging to anyone who wants to do their own Steadicam work without years of experience. ha ha
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05-31-2012, 09:15 AM
not shot on RED, but very cool - and very discouraging to anyone who wants to do their own Steadicam work without years of experience. ha ha
05-31-2012, 09:49 AM
That's awesome. What a great perspective to watch the shot unfold. Thanks for sharing!
05-31-2012, 10:00 AM
Wow!
05-31-2012, 10:39 AM
that was WONDERFUL!!!
thank you.
05-31-2012, 11:41 AM
first part is steady or traveling?...
What is awesome is the reduced space and sound, steady with 3d rig and focus assistant...
05-31-2012, 11:47 AM
Very nicely done. That's a pins and needles moment for sure.
05-31-2012, 11:49 AM
Here's the rig , Operated by Larry McConkey, a steadi-god IMO.
05-31-2012, 12:52 PM
It would have been much less taxing with dual Epics.... but I digress.
I thought the boom op did a good job too, although I wonder how much of that audio was used.
05-31-2012, 04:29 PM
That was amazing!
I can't believe how smooth that was, one camera i'm impressed but two, wow. I can see why he would have earn the nickname steadi-god.
I put on my first steadicam at NAB this year just so I knew what it was like for the operator, I now know I couldn't do it! Now when i'm directing I can be far more realistic in what i'm asking for, highly recommended for any director!
I loved how the walls moved to make room for the rotation around the girl that sat down in the chair too, sets, gotta love them.
+1 for boom operator too hahaha
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