Damn near a rave review in the Hollywood Reporter:
The critic (Todd McCarthy) says:
The real world threats of terrorism, political anarchy and economic instability make deep incursions into the cinematic comic book domain in The Dark Knight Rises. Big-time Hollywood filmmaking at its most massively accomplished, this last installment of Christopher Nolan's Batman trilogy makes everything in the rival Marvel universe look thoroughly silly and childish. Entirely enveloping and at times unnerving in a relevant way one would never have imagined, as a cohesive whole this ranks as the best of Nolan's trio, even if it lacks -- how could it not? -- an element as unique as Heath Ledger's immortal turn in The Dark Knight. It's a blockbuster by any standard.
Despite all the advanced technology deployed to make The Dark Knight Rises everything it is, Nolan remains proudly and defiantly old school (as only the most successful directors can get away with being these days) when it comes to his filmmaking aesthetic, an approach indicated in a note at the end of the long final credits:
“This motion picture was shot and finished on film.”