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  1. #1 HBO series the News Room 
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    any idea of what camera the series is shot on?
    Michael Notar

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  2. #2  
    Senior Member Bob Gundu's Avatar
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    http://www.cinegearexpo.com/wp/wp-co..._NEWS_2012.pdf

    HBO’s much-anticipated, new series The Newsroom, created
    by Aaron Sorkin, centers on a cable news anchor (Jeff Daniels),
    his new executive producer (Emily Mortimer), his newsroom staff
    (John Gallagher, Jr., Alison Pill, Thomas Sadoski, Dev Patel, Olivia
    Munn) and their boss (Sam Waterston).
    The pilot was shot by Barry Ackroyd, BSC, and the first season
    was photographed by Todd McMullen.
    “Like most new TV series, the goal is to mimic the style of
    the pilot as your starting point,’ says McMullen. “The general
    style was to use long lenses, judicious camera movement and
    occasional frame adjustments to emphasize story moments. In
    the course of shooting the rest of the series we applied other
    techniques and elements where they fit into the new scenes and
    locations. The overall objective was to keep the frames loose and
    to give the actors freedom to maneuver through their space.”
    The Newsroom was shot on three Alexas primarily with the
    Angenieux 24-290mm Optimo zoom lenses. A Steadicam usually
    carried the 28-76 Optimo lens.
    For each episode, approximately seven days were spent in
    the studio and two days on location.
    “The story is set in New York so we obviously had to shoot in
    New York for exterior scenes,” says McMullen. “I enjoy shooting
    in New York and I believe these scenes add so much depth and
    character to the show.”
    McMcullen says production benefitted from the Meridian
    Wireless System from Boxx Communications, which provides
    4:2:2 uncompressed video with zero delay.
    “In keeping with the simplicity theory, we were able to keep
    the video village hot with an image, and not have to take the time
    to run cables,” explains McMullen. “The camera operators and the
    director could work out shots while I was lighting. Since we kept
    the camera moving and we shot long lens, it was always a challenge
    to even get the video village anywhere near the set. Also,
    due to some of the small practical locations we would have to
    have the video village a number of rooms away.
    “However, the most important applications of the wireless
    system were shooting exteriors in New York. We would put
    cameras across the streets and shoot back through traffic. There
    would have been no way to get cables to video village.
    McMullen says the Meridian Wireless System helped with
    efficiency, which is always a priority on tight TV production
    schedule.
    “The biggest advantage of this system is time and productivity,”
    adds McMullen. “The Boxx TV system is quite simply the
    most stable, user-friendly, HD wireless system I have used. The
    image is absolutely amazing. And there is no lag time. The ability
    to view a stable HD image without cables is fantastic, and the reliability
    is a big benefit.”
    The Newsroom is premiering Sunday, June 24.
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  3. #3  
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    thanks i assumed it was the alexa as it seems to be prevalent in tv, esp hbo shows. i was suprised tho that i was noticing noise in images, in the darker tones in one room of the show and a little in a purple dress in a well lit scene.. perhaps its me or my cable provider...
    Michael Notar

    WWW.SHUTTERWORKSFILM.COM
    Video Production and Equipment Rentals.


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