Hi,
how are the quality of the 18mm, 25 mm and 35 mm RPPs compared to shooting with Ultra Primes for stereo-work?
The ultras are obviously lighter, but would RPPs work satisfactory in 3D if weight is not a primary issue?
Best regards,
Jon M.
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Hi,
how are the quality of the 18mm, 25 mm and 35 mm RPPs compared to shooting with Ultra Primes for stereo-work?
The ultras are obviously lighter, but would RPPs work satisfactory in 3D if weight is not a primary issue?
Best regards,
Jon M.
RPPs generally have fairly consistent geometric characteristics within a given focal length, so they tend to pair well without too much hunting for the best match and they align quickly. I prefer Ultras both geometrically and mechanically, but if RPPs are more in your budget (and will fit on your rig) you won't be disappointed.
YMMV, of course.
Thank you, due to the limited amount of RPPs in Norway, I would probably not get to hunt a lot for matching lenses. Is it risky to just pair a random set?
Best regards,
Jon M.
Consider that it takes about 30 ultra prime lenses to find a good matched pair, and even then they aren't perfect. I wouldn't bother with red primes.
Both are great lenses, as far as matching a perfect Pair, not easy with any lens other then Master Primes and Leica Summilux Cine Primes, which are truly built with at times less then 1% disparity, which is more then acceptable of course, in fact we tucked several lenses and use them with only a quick calibration and on to the 3D rig without any Post issues, for both the MP's and the Leica SCP.
We only tested 3 pairs of RPP's yet we found a perfect matched 50mm and 85mm with this set, we didn't used any other focal.
When we tested Ultra Primes we had 6 sets, we found 4 matching lenses that needed a slight adjustment, and we were ready to shoot, we never tested not looked for a full set, but single Focal, to find a full matched set however will be more difficult, and it will be done by picking lenses form various sets.
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