Thread: SHOOTING STILLS WITH EPIC - SETTINGS?

Reply to Thread
Results 1 to 6 of 6
  1. #1 SHOOTING STILLS WITH EPIC - SETTINGS? 
    Have any of you had experience with shooting EPIC for stills? What are some of the frame rates, and shutter angles that you have used?

    What are the issues if any ?

    Any advice or insights are appreciated

    B Jonsson
    Reply With Quote  
     

  2. #2  
    Senior Member
    Join Date
    Feb 2011
    Location
    Bangkok, Thailand
    Posts
    234
    I've been shooting interior stills with my Scarlet X in 5K mode with and without HDRx and I switch the camera shutter from shutter angle mode to shutter time mode (e.g. 1/10th of a second) to make it easier to understand (I have an extensive still photography background). If you need to use slower shutter speeds you'll need to lower the frame rate. I often prefer to shoot at 2, 4, or 6 fps. Though I've found that my camera freezes and gives me corrupt frames when shooting at 2fps with my current firmware (3.2.16 if I remember correctly), so I'd avoid 2fps for now. With HDRx I find that 3-4 stops is about the max you can reasonably use to protect highlights for a natural looking image when processed with magic motion and lots of curves and levels adjustments in photoshop.

    It may be isolated to my computer, but when I export from REDCINE-X pro build 14 the images always get converted as Adobe RGB colorspace no matter which colorspace I choose. So if you find that the colors in REDCINE-X don't match the colors you see in Photoshop then try assigning AdobeRGB colorspace to the image in Photoshop. I already contacted RED support about this but haven't had the time to do more tests and provide them with more information so they can replicate it on their systems.
    Danai Chutinaton
    ----------------
    Scarlet X #2264
    Reply With Quote  
     

  3. #3  
    Senior Member Brad Webb's Avatar
    Join Date
    Jan 2009
    Location
    Los Angeles, CA
    Posts
    935
    Don't forget to blackshade when you switch to shooting low frame rates.
    Scarlet X - 643 "Kong"
    DP Reel
    www.digitalladder.com
    Reply With Quote  
     

  4. #4  
    Senior Member Victor MOREIRA's Avatar
    Join Date
    Mar 2012
    Location
    Paris
    Posts
    160
    +1 on blackshading process
    BADIW
    DIRECTOR
    Epic M 1545 "BADIW"
    Scarlet X 2527 "KILIDAN"
    www.badiw.com
    www.buldof.com
    Reply With Quote  
     

  5. #5  
    Black shading is very important, but it's not specifically frame rate that dictates it. It is exposure time (shutter speed) that dictates. If you black shade with the camera set at 24fps 1/48th, then drop to 2fps and retain the 1/48th second shutter, you're fine. If you change the shutter to 1/500th, you should re-do the black shading, regardless of whether you're still shooting 2fps, 24fps or 100fps...

    As for shooting stills, I do quite a bit. Really like the Epic for stills when the camera is locked off. Can trigger with the Redmote. Frame rate depends on what I'm shooting, as does shutter speed. If I'm shooting static scenes, I'll set the frame rate to 1 or 2 fps since I don't need clips with 20+ frames in them.

    Can't wait for the actual stills mode controls to be implemented!

    Shooting an HDRX track is also handy if you're pulling stills from motion. It doesn't have to be for highlight protection, it can be used with Magic Motion for blur reduction.
    - Jeff Kilgroe
    - Applied Visual Technologies, LLC | RojoMojo
    - EPIC-M Package Available! Over 1TB SSD media, RPP's & more.


    List of all current RED software tools.
    Reply With Quote  
     

  6. #6  
    Senior Member Kwan Khan's Avatar
    Join Date
    Jan 2008
    Location
    NYC
    Posts
    2,591
    Quote Originally Posted by Jeff Kilgroe View Post
    Black shading is very important.

    Shooting an HDRX track is also handy if you're pulling stills from motion. It doesn't have to be for highlight protection, it can be used with Magic Motion for blur reduction.
    ++1
    Rent 5K for $500/day - NYC (Times Square)
    www.finalfootage.com

    EPIC-X + Rocket, RPP, 18-50, Nikon 17-35, 50, 80-200, A-Mount, MBPro, VF FF, Pancro Budget Kit, Pana 17", JVC 20".

    Green Screen Studio @ Times Square (with Reflecmedia), Kino 8'4/4'4/2'4' Kit, Arri Kit, Lite Panle, EZ-JIB + Varizoom Remote Head, Indie-Dolly kit, Cine-Slider, Glidecam X-10 & 20 with SEGWAY,

    MBP (Retina), MacPro, RAID system (Promise Pegasus), Adobe Production (CS6), FCS2, Resolve 9 with MC Color.
    Reply With Quote  
     

Posting Permissions
  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts