3K...

[Frank Weeks]

fast to get into a computer and fast to edit

This is my concern. Anyone?

[Jannard]

You can have a finished product before the film comes out of processing. If you want it simple, shoot a 24fps project, 24 fps, 1/48th (180 degree) shutter, pick a lens, set exposure, focus and record to Compact Flash. No more difficult than that. Menus are easy. And once you set them, they stay.

Now if you want to get a bit more complicated, we can accommodate that too! But it isn't necessary.

Jim

[A. Bastaki]

yes.. REDCONE28 or REDCODE36 across all formats.

now we are talking baby!

[Rick Darge]

Were we recording in REDCODE 28 on build 13?

[Jannard]

Were we recording in REDCODE 28 on build 13?

yes.

Jim

[Casey Green]

The answer comes tomorrow...

Jim

Perhaps a new REDCINE release tomorrow?

(Funny, one of my first questions for Ted at NAB last year was... what do you think of adding a 3K mode? He basically said, yeah, that should be possible.)

Thanks again for your continued passion.

[Rick Darge]

3k rocks...

Higher data rate rocks more...

Having F_quality Quicktimes rocks like a rock star...

[Rob Lohman]

4K 16x9 is not available in RED ALERT, REDLine and QuickTime codec. It does work in REDCINE.

All other formats (4K 2:1, 3K 16x9, 3K 2:1, 2K 16x9 & 2K 2:1) work in all software applications.

The new _F QuickTime wrapper is not yet enabled in the QuickTime codec.

Audio support is also on the list of things to be added to the post software.

[Álex Montoya]

Nice work, people.

[Jon Corcuera]

This might be a stupid cuestion but I steel have to make it, would it be posible to extract the full 4K information before the redcode influence, via an external system ... S.two or other similar
I will guess big benefits in post having a high budget obviusly :)