Field production gear list as of March 1st:
RedOne #19X
4) 140wh LiOn Red batteries
2) Red chargers
3) 320GB RedDrives capable of over 2 hours of recording at maximum quality/resolution
4) 8GB Red CF cards
Basic Production Pack (drive/power cradle, top handle assembly, shoulder mount/bottom dovetail)
ET Arri spec. 15mm offset base plate & Arri spec. slide plate
19mm & 15mm rods in multiple lengths
Various brackets & adapters for 15mm lightweight, 15mm studio & 19mm studio configurations
Cinetech double sided follow focus with whip
Arri MB20Mk2 4x5.65 2 stage swing away mattebox with 138mm rear round
Schnieder filters: .3, .6, .9. 1.2, 1.8 NDs plus 138mm round true polarizer, 2 stop soft edge ND grad
Lenses:
RED T3 18-50mm Close focus compact lightweight Zoom lens
RED T3 300mm
Zeiss 25mm T1.3 Mk2 SuperSpeed
Zeiss 50mm T1.3 Mk2 SuperSpeed
Zeiss 85mm T1.3 Mk2 SuperSpeed
Support:
O'Connor 1030HD Fluid head with Cartoni legs
Monitoring:
RED EVF 1,280 by 848 color viewfinder
RED LCD 1,024 by 600 5.6" LCD
eCinema 1,920 by 1,080 23" LCD color evaluation monitor
Hann-G 1,440 by 900 19" LCD for framing, focus and menus
AJA HD-SDI to SD composite or component mini downconverter
AJA ioHD multi-format converter, all outputs live simultaneously
Ingest/Post:
15" MacBook Pro with FW800 Delkin CF Reader & dual eSATA to Express 34 adapter
2) Octo-core MacPro towers with FCP 6.0.2 & the latest RedAlert/RedCine apps
Vehicle:
Dodge Sprinter Camera Van
