Clipster in DPX or Scratch in .R3D ?
Very simple answer to Percy.
We are both in HKG and Percy is just opposite to me in North Point in HKG !!!
Thanks for offering this ground for RED owners and fans alike. I am a curent SMPTE Hong Kong section manager, and a RED owner/1647, 1648. We alos have 2 set of Arri standard primes and accessaories to support filming work. Building a special rig for 3D stereoscopic work. 2K RED stereoscopic vision under Dolby Digital cinema mastering is available. Now we serve Asian Red filmmaker/users’ on their RED movie pojects to come.
I hope Build 16 will work out well, and we then could have a party. An Alternative RED user meeting..
Film Magic/ Digital Magic, Hong Kong
RED camera rental, DIT/ operator
RED Post service
RED film service
http://www.digitalmagic.com.hk, Post service.
http://www.filmmagic.com.hk, Camera and productionservice
http://www.heavyoptical.com.hk, 35mm film wok
http://www.i-magic.cm.hk, Digital Cinema/ E-Cinema
Ha !!! You did not invite me to see the RED shots to Films in Oriental Films in Kwun Tong, and although it was your TEST FOOTAGE Not REAL Projects though.
When will you Cathy Pacific Commericals be available ?
I based in Hong Kong..
I have 1647 and 1648, been serving the commerical field for the last 4 week, including major Hong Kong airline commercial filming work
We do DI post work, and record 20 full length Asian movies in a Months this year
I have a sample RED 35mm film clip made from mixed Asian producers and RED owners
We are all happy with the cinematic screening result..
If Jim wants a copy, I could send to you
Just give me your FedEX aacount..
I would like to see your view, too
I know this may be a wrong place to ask..
My question is how could I synce 2 REDs for 3D Stereoscopic work
I also have a Demo with 3D Stereo RED footage completed in Dolby Digital Cinema DCI's DCP 2K Jpeg2000 package for Digital cinema projection..
I am happy with RED, although still learning the tricks.
I work closely with Dan Carew in Hong Kong to horn the skills in production and Post.
Hong Kong, RED 1647, 1648
Talk to Howard Lukk @Disney ( Used SONY and Pace / Cameron Cameras ) or Komer in Germany who used Arri D20 to make Streoscopic 3D in some years ago.
Or Geoff@CML who used SI 2K and RED thast I met him @IDIFF in Paris early this year.
Jim ? He is so busy for his B16 though ! Steve will Help I think ...
Time for a time out Stew... take a day off.
Full loaded Scratch and Scratch Cine is on my list of wish tool also, too
Just awaiting for a good price, and Build 16 annoucement, I have been in contacted with BoXX and Scratch's Japan colleagues.
There is a company in Hong Kong running with a fully loaded Scratch fr Movie works, same are others in Asia, whom are clients for film output work.
We handle 20 full length Asian movies in a month.
Sometime also have Europe and American projects.
We need a lot of tools and solution.
I know your name since the Avid DS days, and learnt a lot from the web info you put up, we do have 2 da Vinci 2K, Clipster, Revival, DVNR HD/2K.
I still own a DS, and she is still working and finishing Movies, today's she is with a Bangadash movie work...along with our 2x Flame 2009, 2x Smoke 2009.. HDCam SR422/444, UHDTV1, and .dpx.cin workflow
We serve Film post including DCI digital cinema packages,
of course including 3d Stereo DCDM and DCPs
all the best :bye2:
Owner of facilities in Hong Kong and Manila
representing RED 1647, 1648, under www.filmmagic.com.hk
and also work with 1304 in Hong Kong
Asia Legend has Color with Tangen's Track Ball panel in last year.
I have CP-200s in HKG ( a set of Four panel for many DIs ) ,
Besides Scratch, Speedgrade is an option though!
CHOY, are you listening ?
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