Thread: Cooke 9-50mm T2.5

Reply to Thread
Page 1 of 2 12 LastLast
Results 1 to 10 of 13

Hybrid View

  1. #1 Cooke 9-50mm T2.5 
    Anyone use this lens, is it any good, how sharp is it?
    I'm thinking this is an affordable option for 1080/2K applications.
    Yea I know it dosen't cover S16 but if I'm shooting 2K RAW I can punch in in post. They are pretty affordable ($1500 used). If it's up to snuff optically it might be the run and gun option I was looking for.
    "All art is deception."

    My DP reel...
    http://www.evingrantdp.com
    http://www.YouTube.com/evingrant
    360ş Cinematography and camera rigs...
    http://www.360dop.com
    Reply With Quote  
     

  2. #2  
    Hi Evin

    First, many many thanks for your tests on the Nikon lenses and all the useful info you have posted. I think it’s fantastic how generous you are with your time. This is great help to me as well as others and my choice really stands between buyig a set of Nikons or using my Cooke Videtal before I get my RED zoom.

    My COOKE VIDETAL B4 LENS is 8 - 44mm, f/2.0 - and as far as I can see it looks exactly the same as the one you are asking about except for the mount. As far as I know Cooke just took their (super) 16 and put a B4 mount and a terrible servo that never really worked (around 1990) to make this video lens. Not sure about other modifications.

    I don’t know the history of the Cooks well but maybe someone knows exactly the connection between these lenses - if they have the same glass etc.

    http://www.axfilms.com/indexen.php - trailer

    here you can see a trailer for a tv dramaseries that I shot entirely with the Cooke Videtal (on 790 Sony DigiBeta)

    I think it´s beautiful glass - I have no problems with the sharpness - I love the softish Cooke character which ment that I never used any promists/softfx etc. filters that I used to do in the ninetees with all Japaneese glass. Made video look like film . . Downside is the limited range.

    Hope this helps - if this info is relevant I can say more - also used to shoot with Cooke super 16 for 35mm blowup with good results - but . . .out of time . . for now . .

    Olafur
    Reply With Quote  
     

  3. #3  
    Senior Member Stephen Williams's Avatar
    Join Date
    Dec 2006
    Location
    Europe
    Posts
    3,882
    Hi Evin,

    It should be very good, worth testing.

    Stephen
    Epic M owner
    Reply With Quote  
     

  4. #4  
    Banned
    Join Date
    Mar 2007
    Posts
    144
    People say it has good color reproduction. I think cinema technic does a super 16mm conversion for it for a couple grand.
    Reply With Quote  
     

  5. #5  
    Senior Member
    Join Date
    Feb 2007
    Posts
    127
    Hi Evin,

    Abakus do an adapter for this lens which will convert it to S16. http://www.abakus-scientific.com/Format_Converters.htm

    CinemaTechnic appear to have gone into receivership and aren't taking any further orders for their adapter.

    Cheers
    Brainstorm
    Reply With Quote  
     

  6. #6  
    Senior Member Martin Drew's Avatar
    Join Date
    Dec 2006
    Posts
    675
    Quote Originally Posted by Brainstorm View Post
    CinemaTechnic appear to have gone into receivership and aren't taking any further orders for their adapter.
    I think you'll find it is Optex which went down the pan, they did the conversion kits. As far as I know CinemaTechnic are still going strong.
    Reply With Quote  
     

  7. #7  
    Senior Member
    Join Date
    Feb 2007
    Posts
    127
    Quote Originally Posted by Martin View Post
    I think you'll find it is Optex which went down the pan, they did the conversion kits. As far as I know CinemaTechnic are still going strong.
    Ooops! Thanks for the correction Martin. :umm:
    Reply With Quote  
     

  8. #8  
    what is the length of this lens?
    Reply With Quote  
     

  9. #9  
    Senior Member
    Join Date
    Dec 2006
    Posts
    1,155
    Hi Evin,

    The cooke 9-50 is really nice well corrected and solid. It doesn't breathe much at all and has very low distortion. It's a bit lower in contrast than the competition like Canon's or the modern Angenieux 16 lenses. Tends to flare a bit easier than newer lenses but it's more of a distinct flare, not a veiling flare or fuzzy stuff around the highlights. used to like this lens alot, but the canon 8-64 kind of repaced it for me - that became my go to 16mm wide zoom

    Matt Uhry
    www.mattuhry.com
    Reply With Quote  
     

  10. #10  
    Matt, the Canon seems nice but he Cooke is a much better deal, do you think the Cooke resolves as much? Low contrast isn't necessarily a bad thing in run -n-gun where the light is usualy contrasty anyway.
    "All art is deception."

    My DP reel...
    http://www.evingrantdp.com
    http://www.YouTube.com/evingrant
    360ş Cinematography and camera rigs...
    http://www.360dop.com
    Reply With Quote  
     

Posting Permissions
  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts