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  #1 REDů the good, the bad and the ugly. 
    Red Leader Jannard's Avatar
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    RED is known for thinking big. Really big. Over the moon big. RED stirs the pot. We are also honest to a fault. Did I say we have no idea what we are doing? Everything changes including specs, pricing and delivery dates?

    There are several sides to this…

    RED (I guess I am the guilty party) has spouted off "miracles" since 2006. "4K is the future" was our 1st message. We showed a shiny prototype at NAB that year. We took deposits on an impossible dream. A 4K camera for $17,500 when others were selling a 1080P cinema camera for over $200K. What we showed in our booth, and what people put down deposits toward, looked nothing like what we delivered one year later. We did deliver the RED ONE for $17,500 as promised. And that changed the history of cinema and who could participate. It marked the beginning of the changing of the guard.

    It is probably a good time to note that we were late delivering the RED ONE. This was a very hard project. Our estimations of just how hard were off. That seemed to be the beginning of a very long and recurring story. We stretch for the moon and estimate how long it will take to get there. Our engineers tell us what they think. We post. It is harder than they thought. We are late. Apparently, that is a core trait of RED just as is reaching for the moon is a core to our DNA.

    Obsolescence Obsolete. That was my idea. I was tired of buying a new digital camera every time a new feature was added. While a new camera every 9 months keeps a camera company healthy, it is a curse to the customer. Technology advances rapidly. It does and it will. Just how much should the customer be punished for this? In my eyes… less than the industry was dictating. We have sincerely tried to fix this. Buy a RED ONE. Full credit for an EPIC. Upgrade your EPIC to Dragon. And on. A film camera lasted decades. Why should a digital camera only last 9 months?

    So love us or hate us. I get this. Our (again… my) bravado about what we are doing and will do… can be embraced or hated. In some ways, we really screwed with the established industry. That was good for some and terrible for others. We have fans at the highest level and we have some who view us as Satan. Rightfully so. There are many that don't tolerate late and especially don't like "hype" (big plans that don't happen on time). We have earned the role of bad guy in the traditional circles. I hope that those that consider us a problem to the industry will read this. You are right. And you are wrong. No one company is trying harder than we are. No one company is pushing harder than RED to give you the tools of the future. The other digital efforts are only because we pushed so hard. Had we not… you would be shooting film still… or buying a new 1080P camera at every turn of technology.

    Film can't go on forever. This is a hard fact. It is not environmentally friendly. It costs more to shoot and process. It will cost more as time goes on and will never be good for the environment. Never. You don't know what you have until tomorrow. Don't strike the set. You just might have to re-shoot. Having said that… film looks incredible. It is our job (and our competitors) to make sure that film is replaced with something just as good… hopefully better. That is what technology is supposed to do.

    Peter Jackson shot his pickups for The Lovely Bones (shot on film) with the RED ONE. His comment was that they cut seamlessly with film. No one could ever tell what was shot on film and what was shot on RED. Of course he went on to shoot The Hobbit on EPIC. 78 scenes in the newest Star Trek were shot on EPIC. Most of this movie was shot on 65mm film. JJ is comfortable that you can't tell what is film and what is EPIC. I guess this is the truest test.

    Our latest reel showcases the power of what we have worked so hard for… Spider-man, The Hobbit, The Great Gatsby, Prometheus, Oz, The Girl with the Dragon Tattoo, The Social Network, etc.

    http://vimeo.com/63060016

    And this is with our "old camera".

    So… are we late with Dragon? Yes. And Meizler. And REDRAY. And our Projector. Of course we are. This stuff is not easy. In fact it is groundbreaking and extremely difficult. Sometimes I want to strangle our engineers for their optimistic schedule. In the end… I embrace them for working on the hardest stuff… the impossible goals. They are the ones that brought you the RED ONE and the EPIC.

    In my biggest hype-monster voice… I shout, we are just beginning. We have dreams that cannot be imagined. Once we deliver what you know about… there is more. Much more… only this time, we aren't going to tell you until they are done.

    Jim
    Last edited by Jannard; 05-06-2013 at 11:43 PM.
    "The camera is arguably one of the most important of all inventionsů it is the single tool that has the ability to stop time, record history, generate art, tell stories, and communicate messages that transcend language like nothing else ever conceived."

    "Everything in life changes... including our camera specs and delivery dates..."

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  2. #2  
    Senior Member Asif Limbada's Avatar
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    these posts keep us going...makes the wait easier...:-)


     

  3. #3  
    Senior Member Bob Gundu's Avatar
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    Thanks for the ernest update Jim. Get a good nights rest. It's all good.
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  4. #4  
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    Ok.
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  5. #5  
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    "we have dreams that cannot be imagined"
    we are all dreaming with you, Jim, thank you.
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  6. #6  
    Moderator Phil Holland's Avatar
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    Quote Originally Posted by Jannard View Post
    Once we deliver what you know about… there is more. Much more… only this time, we aren't going to tell you until they are done.
    I find it somewhat endearing hearing about the development along the way. Late is certainly a trait at this point, but for the most part it gives folks like me time to get things together for when that time comes.

    As for hype, I don't think any of the Red cameras at this point under-delivered. If anything I think it's been the polar opposite. Especially with how the landscape looks like now. Red's always delivered on that front. I think we've come to expect it.
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  7. #7  
    Senior Member KETCH ROSSi's Avatar
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    RED did and continues to change things in this industry, and gives new opportunities to the independent and big time Hollywood Filmmaker alike, that is a great thing.

    As for been late... Late you are... But... Good things come to those whom wait... We aren't going any were... But either way... In your been late, you are still years ahed of the competition... ;)
    KETCH ROSSi Ľ F i l m m a k e r
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  8. #8  
    Senior Member Ross Isaacs's Avatar
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    We at Oceanplanet 3D have have put everything on the line based on the promise of Epic and Red. We helped develop the Deep Atom system and early signs have shown this is the way to go....we chose to go on this roller coaster ride with you Jim and have faith in Red and your vision for the future.
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  9. #9  
    Senior Member Asif Limbada's Avatar
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    I dont think RED is late ever, at least when looking at the bigger picture. They were pushing RAW, 4K, Modular, Upgrades. when titans were cashing on smallest change in tech every year.


     

  10. #10  
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    I'm sure the delays are always to get the best possible product on the market. Being a revolution is a hard act to follow. Only another revolution will do. I'm sure you guys are working on it!
    SÚrgio Perez

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