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Old 11-13-2008, 11:29 AM   #1801
dillont
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Default Now more than ever ....

Story is the king.

RED really is ushering in the democratization of filmmaking just as computers helped usher in the democratization of music making.

So many more people will be able to get quality gear, but without a good story, or good skillset, the gear will only produce technically superior images.

Not that there's anything wrong with that.

Dillon T.
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Old 11-13-2008, 11:30 AM   #1802
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Quote:
Originally Posted by Daniel Browning View Post
While that's technically true, I would like to add that you can get *more* than 13 stops by resampling to lower resolutions. Every fourfold reduction in resolution (e.g. 4K to 2K) results in a full stop less noise, because random noise adds in quadrature.
Daniel, after all my investment on you, you still believe ..... I gotta rent the movie The Last American Virgin again .... Hey Red team, is there a policy on this forum for a refund on emotional and physical labor of typing deposit.
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Old 11-13-2008, 11:31 AM   #1803
Daniel Browning
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Originally Posted by Hayhurst View Post
Next week we'll ship a full native workflow for RED in Premiere Pro CS4, After Effects CS4 and even Encore CS4 (the RED to Blu workflow).

It's Christmas come early.

Enjoy.

Simon & the Merry Adobe Gang
Terrific! I can't wait to try out your native support on my favorite editing system (CS4 is a huge step forward, by the way). Thank you.
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Old 11-13-2008, 11:31 AM   #1804
Eric Harnden
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Now this is Obama-change!
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Old 11-13-2008, 11:31 AM   #1805
Rob Lohman
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Originally Posted by dalen7 View Post
2k for 2k - then I believe it was 3k for 2k.
We've never said 2k for 2k, what we announced at NAB was 3K for 3K
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Old 11-13-2008, 11:33 AM   #1806
Michael Moreno
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Answer me this please

i will be able to get a 5k s35 epic body and upgrade it over time to a maxed
out epic, essentially the 9k 645 with my original body.

and will the 645 9k epic still do high frame rates at 6k or 5k
like will i be able to do 120 at 5k??

jarred? anybody?

thanks
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Old 11-13-2008, 11:34 AM   #1807
Janaki
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Truly, truly mind boggling! Thank you Jim and all your incredibly visionary people over at RED. This is the biggest thing in filmmaking since the advent of color! I CAN'T WAIT to get my dirty little paws on Epic!!!!
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Old 11-13-2008, 11:36 AM   #1808
Zach Nelson
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Originally Posted by david farland View Post
I'm suspecting they've worked out the 13+ stops figures using down rezzing to 4K or less

D
"Pixel shifting and up-rezzing not spoken here" ... hmm "down-rezzing" spoken here?
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Old 11-13-2008, 11:38 AM   #1809
Nick Ambrose
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Originally Posted by multifocus View Post
I think the reason that there's no price on the lesser Scarlet is because they want to gauge our thoughts here first.... then price it!:shiftyph34r:
Uh, not Jim's style IMHO.
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Old 11-13-2008, 11:39 AM   #1810
Jan Mattila
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Default Weird math...

Quote:
Originally Posted by david farland View Post
Great work again Red,

Chart with date/size etc.......
The table seems a bit broken.

The RED ONE is supposed to be available for at-once delivery. Does that mean 12 months?

The Scarlet FF35 sensor is 36x24 mm, not 35x24mm.

The Scarlet 2/3" should be 5MP (3072x1620 = 4 976 640, rounds up) and the RED ONE should be 10,4 MP (4520x2304 = 10 414 080). Yes, they're like that in the brochure.

The REDCODE in the EPICs is 225 or 500, not 22 or 50.

Not that any of this is a big deal...
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