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#1 |
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Red Leader
Join Date: Dec 2006
Posts: 5,342
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This was shot by David Fincher on a RED ONE with a Mysterium-X sensor at ISO 2000 and a Master Prime at T 1.3 (or slightly stopped down from there). Key light is only a match. When the match goes out, Leo's face goes black.
There is absolutely no noise reduction in this shot. Jim ![]() ![]()
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"Everything in life changes... including our camera specs and delivery dates..." We reserve the right to refuse service to anyone with a bad attitude. Last edited by Jannard; 01-17-2010 at 09:23 PM. |
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#2 |
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Senior Member
Join Date: Jan 2007
Location: Athens, Greece
Posts: 736
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Holly shit!
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Miltos www.pilalitos.com RED-MX #1473, RED ZOOM 18-50, RED ZOOM 50-150, Duclos Tokina 11-16 |
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#4 |
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Member
Join Date: Mar 2008
Posts: 30
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Great success!
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#5 |
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Senior Member
Join Date: Aug 2007
Posts: 431
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Holly Fucking shit.
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#6 |
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Junior Member
Join Date: Nov 2008
Posts: 16
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Wow! Amazing.
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#7 |
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Senior Member
Join Date: Mar 2009
Posts: 134
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This shot looked great projected. I was blown away by how bright Leo's face was when the match was struck. I had a chance to play with the clip in RedCineX and it looked great. I set the ISO at 2000 and used the new REDColor and REDGamma and there was good room for grading. Very exciting.
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#8 |
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Senior Member
Join Date: Mar 2008
Location: Rio de Janeiro, BR
Posts: 1,160
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Genious.
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Acintyah khalu ye bhava na tams tarkena yojayet There's no use arguing over that which is inconceivable Pietro Impagliazzo Student DP |
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#9 |
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Senior Member
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Ivan G. Rosso Films Detroit Red #1237 |
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#10 |
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Senior Member
Join Date: Apr 2007
Location: Brooklyn New York
Posts: 1,513
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Monstro would add a few more stops, but this is hands down enough for my book...Damn it Jim this looks too good. As someone who does majority of my shooting with natural light, this could not come sooner! Thanks for posting.
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