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#1 |
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Digital FX
Join Date: Dec 2006
Posts: 2,675
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In order to align the data connections on my Arri Ultra Primes the lens mounts with the focus scale facing up rather than toward the operator as it should (see attached image).
When the new PL mount is installed is it possible to re-align the data connection so the lenses will mount with the correct orientation toward the operator?
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www.digitalfx.tv dfx blog 2k - 4k di editorial - visual fx "There are a lot of places I like, but I like New Orleans better." - Bob Dylan |
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#2 |
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Senior Member
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I would like to see this change as well.
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#3 |
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Digital FX
Join Date: Dec 2006
Posts: 2,675
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One more question- Is the data connection actually capturing data in the current release?
I don't see any lens information in the metadata.
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www.digitalfx.tv dfx blog 2k - 4k di editorial - visual fx "There are a lot of places I like, but I like New Orleans better." - Bob Dylan |
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#4 |
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Senior Member
Join Date: Jan 2007
Location: ashland, oregon
Posts: 2,536
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Most PL mounts have a slot in each of the four ears which allow four different mounting configurations. 90 degrees apart.
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CHUCK |
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#5 | |
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Digital FX
Join Date: Dec 2006
Posts: 2,675
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Quote:
EDIT: I attached two more photos to better illustrate what I am asking for; 1. This is the correct orientation of the lens on the body (obviously "correct" is subjective, but it is the typical position so the operator can see the focus scale) 2. If the lens is in the position shown in the first image the data contacts are not aligned as shown in the second image.
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www.digitalfx.tv dfx blog 2k - 4k di editorial - visual fx "There are a lot of places I like, but I like New Orleans better." - Bob Dylan |
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#6 |
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Senior Member
Join Date: Sep 2007
Location: good old Berlin
Posts: 2,905
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is there any reason why it is build that way?
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Kaya All Ahead Film |
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#7 |
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Senior Member
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How it is with ARRI, Moviecam, Sony, Viper... cameras?
How it is with Cooke lenses and Angenieux Lenses? Also with RED lenses?
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Sanjin Jukic - RED1 Camera Experimentalist "There is no point in having sharp images when you've fuzzy ideas." Jean-Luc Godard. ![]() Dynamic range is, after all, the measurement between well saturation (photosite blowout) and noise floor. Thom Hogan ![]() Digital Cinema Production Vienna-Austria |
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#8 |
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Digital FX
Join Date: Dec 2006
Posts: 2,675
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Ok, did a bit more research and this is what I learned;
The Red lenses and Cooke S4i lenses have the data port dead center of the two focus scales which is why Red has the port at this position. Arri LDS lenses have the port above one of the focus scales and on the Arri camera bodies they have two data connections 90 degrees apart so you can put the lens in either position. So the data port is in the correct place if you have Cooke or Red lenses...If you have Arri LDS you are SOL...unless Red decides to add a second connection similar to Arri.
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www.digitalfx.tv dfx blog 2k - 4k di editorial - visual fx "There are a lot of places I like, but I like New Orleans better." - Bob Dylan |
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#9 |
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Senior Member
Join Date: Sep 2007
Location: good old Berlin
Posts: 2,905
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Kaya All Ahead Film |
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#10 | |
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Senior Member
Join Date: Jan 2007
Location: ashland, oregon
Posts: 2,536
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Quote:
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CHUCK |
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