Search:

Type: Posts; User: rand thompson

Page 1 of 2 1 2

Search: Search took 0.01 seconds.

  1. Patrick, I'm doing the same thing. I think if...

    Patrick,

    I'm doing the same thing. I think if you are going to be using only Red R3D files, that a Davinci IPP2 Color Managed workflow is best. If you not going to be working on a high-end feature...
  2. Learning Color Management In DaVinci Resolve 17 -...

    Learning Color Management In DaVinci Resolve 17 - Sp Guest: Daria Fissoun


    By
    Casey Faris




    https://www.youtube.com/watch?app=desktop&v=gbrJGA5c8GQ&pbjreload=101
  3. Joel, Not exactly sure but I would say No,...

    Joel,

    Not exactly sure but I would say No, since you bypassed it to grade the clip either manually or to transform it with a Lut ...etc. Basically so you wouldn't be subjugated to the current...
  4. Matching DWG to IPP2. In this one I use the...

    Matching DWG to IPP2. In this one I use the Parade Scope instead of the Vectorscope. Which do you prefer?


    https://i.postimg.cc/c1cvK67Q/3-1-1-2.jpg

    https://i.postimg.cc/QxxHcsSv/5.png

    ...
  5. Matching IPP2 to Davinci Wide Gamut. In this I...

    Matching IPP2 to Davinci Wide Gamut. In this I included the Vectorscope for Both, can you really tell which is which? You Kinda can by the Vectorscope. Which do you prefer?



    ...
  6. Paul, As I said before, I have worked quite a...

    Paul,

    As I said before, I have worked quite a bit with Davinci Wide Gamut now. I also like the Tone Mapping it does in some situations better than IPP2, especially how it renders the midtones a...
  7. Massimiliano, Thanks for bringing up the...

    Massimiliano,

    Thanks for bringing up the issues with multi-track verses single track video editing with IPP2. I've always personally only used single track editing.
  8. Tone-Mapping ...

    Tone-Mapping

    https://i.postimg.cc/kgXFQ9VG/Screenshot-1314.png

    https://i.postimg.cc/fR275FXK/Screenshot-1315.png

    https://i.postimg.cc/X7gkBXYt/Screenshot-1316.png


    Creative Luts
  9. Yes, the Tone-Mapping works fine. I've even done...

    Yes, the Tone-Mapping works fine. I've even done it with 3 different Tone-Mappings and three different Creative Luts on for each R3D file on each video track.
  10. Here's 3 Red .R3D Track levels high With an IPP2...

    Here's 3 Red .R3D Track levels high With an IPP2 Output Transform Lut workflow, Lo Con/ Very Soft. Please excuse the Curve I put into the IPP2 Transform Node by accident. I must have clicked on the...
  11. I tried another IPP2 Red Raw file overlapping on...

    I tried another IPP2 Red Raw file overlapping on multiple tracks experiment. I wanted to see what would happen with an IPP2 Color Managed project with 1000 Luminance if I used the "BYPASS COLOR...
  12. Massimiliano, I started a new project based...

    Massimiliano,


    I started a new project based on an IPP2 Transform Lut workflow. This time I didn't get the Overlap Highlight "blowout" I got before without the need for an Adjustment Layer. I...
  13. Alrighty Then!:thumbsup:

    Alrighty Then!:thumbsup:
  14. Massimiliano, This might be how it was...

    Massimiliano,


    This might be how it was designed to work for some internal / HDR re-purposing process that Blackmagic Design has not appropriately explained yet. I'll go back and read the Resolve...
  15. Massimiliano, I exported two overlapping...

    Massimiliano,


    I exported two overlapping R3D's with 1000 Nit "Custom" Setting, It appears to play okay on my Laptop and in VLC PLayer. Now how it will look on a Television I don't know.

    ...
  16. Massimiliano, It doesn't do it in a "DAVINCI...

    Massimiliano,


    It doesn't do it in a "DAVINCI WIDE GAMUT" project. I would hate to think that Blackmagic was deliberately trying to Fuck the IPP2 workflow in favor of their DWG workflow.

    ...
  17. Just saw this, Yeah, I don't know either. for...

    Just saw this,

    Yeah, I don't know either. for a Standard REC709 SDR project it should be "100" Nits. Resolve 17's Color Management still has some funky things going on especially in Resolve 17.1....
  18. You're Welcome Massimiliano!, My only thing...

    You're Welcome Massimiliano!,


    My only thing about the 1000 Nits luminance is that it looks like a cure for the problem in the "TIMELINE" but how will that get "TONE-MAPPED' back to "100" Nits...
  19. Here's Three RED .R3D Tracks ...

    Here's Three RED .R3D Tracks


    https://i.postimg.cc/xCPKhtY1/Screenshot-1274.png

    https://i.postimg.cc/gjPJWWzV/Screenshot-1272.png

    https://i.postimg.cc/wvNvZvpx/Screenshot-1273.png
  20. Massimiliano, First, Excuse me for...

    Massimiliano,


    First, Excuse me for shortening your name for the new project.


    For How you work with overlaying Red .r3d on multiple tracks, until Blackmagic figures this out, I would use an...
  21. Massimiliano, It seems an IPP2 Lut Based...

    Massimiliano,

    It seems an IPP2 Lut Based workflow will suit your workflow better! Let me gather the Screen Grabs together to show you.
  22. let me check this out in Resolve!

    let me check this out in Resolve!
  23. Tone and Gamut Mapped Red .R3d in ACEScct with...

    Tone and Gamut Mapped Red .R3d in ACEScct with OFX Gamut Mapping


    ACEScct RED R3D image before Gamut Mapping and additional Grading

    https://i.postimg.cc/2S3s2PB9/Screenshot-1228.png
    ...
  24. Paul, If you have or even want to do it, if...

    Paul,

    If you have or even want to do it, if you post any of the Komodo R3d files you care to upload, I'll show you my workflow on how I would process it in Resolve in all or either IPP2, DWG or...
  25. Paul, Using IPP2 or not using IPP2 is going to...

    Paul,

    Using IPP2 or not using IPP2 is going to have to be a choice only you can make. I've personally gotten great results with Davinci Wide Gamut and ACEScct with a little Help with the OFX Gamut...
Results 1 to 25 of 39
Page 1 of 2 1 2