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Type: Posts; User: Christoffer Glans

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    It was also shot without R3D since it wasn't...

    It was also shot without R3D since it wasn't implemented yet on the prototype cameras used (or so I remember it was mentioned about the production), so blown highlights could be a factor of no IPP2...
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    Exactly! And after all the trash talk from so...

    Exactly! And after all the trash talk from so many, I checked the trailer again and... what are people talking about? If we ignore the locations where lighting seems to be pretty hard to control, no...
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    Really recommend The Knick. It's one of those...

    Really recommend The Knick. It's one of those series that seem to disappear in the noise, but it's a masterpiece and the cinematography is so filled with energy that is then heightened by the perfect...
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    I'm also not a fan of this look in this movie. I...

    I'm also not a fan of this look in this movie. I much prefer the look of The Knick, which I feel is such an underrated piece of cinematography that has just gone over the heads of people. But I...
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    I'm strictly speaking American cinema here, not...

    I'm strictly speaking American cinema here, not the rest of the world. As you might have noticed, I'm not even working within Hollywood so I already know the outside of that industry. But since so...
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    If the intention is to make a movie under two...

    If the intention is to make a movie under two weeks, focusing on improvisation, at a location that's far from controllable, in order to push what's possible in terms of making movies, time and...
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    Don't, don't, don't. Who decides that? Maybe the...

    Don't, don't, don't. Who decides that? Maybe the subject matter in this movie, about a writer stuck between inspiration and results might even be the perfect place to have a feeling of odd Hollywood...
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    Seems to me that people don't know the body of...

    Seems to me that people don't know the body of work Soderbergh is behind. For me, I have a borderline love for Fincher and Soderbergh, the extreme precision and quality of a Fincher production on one...
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    Once again I will point out that if you can make...

    Once again I will point out that if you can make a feature film focused on a lot of improvisation, in under two weeks on a cruise ship, with how bad lighting is on such locations and make it in time...
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    He already did with The Knick. Let Them All Talk...

    He already did with The Knick. Let Them All Talk was made in line with his previous Unsane and High Flying Bird. He's doing it as a statement, as a reminder or whatever, that making movies can be...
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    Maybe you should check out The Knick, which he...

    Maybe you should check out The Knick, which he directed and did the cinematography for as well. It was more controlled but in a similar manner.

    But all those YouTube and Vimeo videos are...
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    You're comparing apples to oranges. If it's the...

    You're comparing apples to oranges. If it's the one I think you mean, it's shot in mostly magic hour or natural environments with natural light. Comparing that to something that's shot on location,...
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    I agree that it doesn’t look good compared to a...

    I agree that it doesn’t look good compared to a controlled shoot, but I’m thinking back at Dogma 95 and how Komodo can work in favor of a similar style without looking like complete rubbish. It makes...
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    Let Them All Talk

    Big fan of Soderbergh and his no bullshit way of tackling filmmaking. This is done just in the way I imagine many indie movies will be made with the Komodo. I believe it was done before R3D...
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