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Type: Posts; User: Nick Morrison

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  1. Replies
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    This is exactly how we work Marc. We shoot...

    This is exactly how we work Marc. We shoot 6K/5K/4K but edit with (or give clients) graded 422 Proxies. Final grade relinks to masters easily with EDL.
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    My editors use this for every day stuff yes. Not...

    My editors use this for every day stuff yes. Not with Komodo, just general use. They love it. One of them has had it for 6-9 months now, and no issues.
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    https://www.owcdigital.com/products/express-4m2

    https://www.owcdigital.com/products/express-4m2
  4. Hey Dan this is so great - congrats! LOVE...

    Hey Dan this is so great - congrats!

    LOVE THIS!

    Reminds me so much of the detuned funky look of "Killing Them Softly"


    https://www.youtube.com/watch?v=VCCBo0yh6YM
  5. Dragon is still great. But we've been able to do...

    Dragon is still great. But we've been able to do amazing things with Gemini.

    Take these Xmas spots:
    https://www.smallgiant.tv/shoots#/thcsnowglobes/

    Shot on Gemini at 3200 at T22. Whistle...
  6. The Gemini is way better. Dragon was fine. Gemini...

    The Gemini is way better. Dragon was fine. Gemini is leaps ahead. Especially with the dual ISO.
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    Pretty sure Drinking Buddies was shot on Scarlet...

    Pretty sure Drinking Buddies was shot on Scarlet MX:


    https://www.youtube.com/watch?v=YsYBCof6NHU[
  8. NICE!

    NICE!
  9. We have one, it's pretty useful for a lot of...

    We have one, it's pretty useful for a lot of stuff.
  10. Hey John, wow those SLR Magic Microprimes look...

    Hey John, wow those SLR Magic Microprimes look amazing. Thanks for the arrow! And congrats on your recent projects - The Great looks SO GOOD!
  11. This is very cool. Congrats.

    This is very cool. Congrats.
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    Komodo is very easy to work with yes.

    Komodo is very easy to work with yes.
  13. Sounds like their are protecting their highljghts...

    Sounds like their are protecting their highljghts by shooting 1600 ISO (and rating to that - meaning the gaffer and lighting team also use this as a guide). But then the LUT maybe brings down the...
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    The 24 1.4 is really good.

    The 24 1.4 is really good.
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    I don't doubt this Björn. But there was something stupid easy about the Alexa Classic. My clients shot this project, and from a network's POV, where they have so many bottlenecks, the workflow is...
  16. Have to say, we've been editing a campaign shot...

    Have to say, we've been editing a campaign shot on an Alexa Classic (which the DP I believe bought recently, in vein of this thread) and footage looks great.

    It's all 2K, but still looks as you'd...
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    As others have said, Standard Primes and Otus...

    As others have said, Standard Primes and Otus Primes are very different. Almost apple and oranges.

    Standard Primes are amazing (basically the predecessors to Ultra Primes), but have a small image...
  18. I think his point was about size? A Super Speed...

    I think his point was about size? A Super Speed 18mm is very small. He likes that, for how he works. The Zeiss full frame Supremes are also quite small, so I think that was part of the allure?

    But...
  19. I did want to speak to this. This idea you can...

    I did want to speak to this. This idea you can easily correct a lot of distortion (which is relevant to the S35 vs FF discussion).

    That distortion is easy to fix is true in the stills world. Most...
  20. Yes but the design of an actual lens also has an...

    Yes but the design of an actual lens also has an affect on distortion. Meizler specifically mentions that the 35mm Supreme (a modern lens) has less distortion than an 18mm Super Speed (from the...
  21. It's actually not that far off. The equivalent to...

    It's actually not that far off. The equivalent to a 35mm on Vista in S35 is a 21mm.
  22. Love those tests. OK lets compare: Here is...

    Love those tests.

    OK lets compare:

    Here is your 18mm Master Prime on S35:
    https://www.youtube.com/watch?v=WsTYCiLpq7c

    And here is the Zeiss 35mm Supreme on Vista (Alexa LF):...
  23. Right, optical design not-withstanding. That's...

    Right, optical design not-withstanding. That's the key point. In this scenario, Meizler was comparing shooting on an 18mm Super Speed (which optically has a lot of distortion) to shooting Vista on a...
  24. Yes formats have nothing todo with distortion....

    Yes formats have nothing todo with distortion. But focal length does.

    An 18mm prime at S35 has more distortion than a 35mm prime on Vista. It's just optics. It's one of the advantges of working on...
  25. Just gunna answer these quickly one by one. Not...

    Just gunna answer these quickly one by one. Not trying to be argumentative Jacek, but just want to correct some stuff.


    This isn't accurate anymore. Otus lenses represent a new generation of high...
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